Paterson

William Carlos Williams (1883–1963), like his friend Ezra Pound, never finished his magnum opus, a poem as impossibly ambitious as the Cantos, but richly invested in the present world. It was published over a period of a dozen years (1946–1958) in five books, the sixth left incomplete. The first book was welcomed by the great American poet-critic Randall Jarrell. He called it 'the best thing Williams has ever written' – 'how wonderful and unlikely that this extraordinary mixture of the most delicate lyricism of perception and feeling with the hardest and homeliest actuality should ever have come into being! There has never been a poem more American.' He was disappointed with the books that followed. But he was expecting an American epic while Williams was delivering something more original, Whitmanesque, an evocation of a New Jersey community (Paterson), a great American river (the Passaic) that powered its mill wheels, a confluence of human and natural worlds in conflicts and